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Once again technology plays a part with screeching violins to drag in the audience’s attention. A strange echo effect is added after 2 mins as Shankar Mahadevan steps up to the fast-paced lyrics like in his composition Breathless, except this time arabic drums came up in the background for support.įinally, comes a proper azadi song in Bol Ke Lab Azaad Hain. Backed up by mridangam and finger clicking sounds, this sounds like the actor is listening to the song on a gramophone or radio. In Nagri Nagri, technology is used to take the audience back there, and listeners will get to hear that voice once more! On first and even second listen its hard to tell that the voice is Shankar Mahadevan for the first 90 seconds. His legacy is so tied to this period, that some of the most famous ones are ones he sang himself. Once again this seems to cover the lack of many lyrics but the sublime feeling of this song covers over it well.įor those who have been exposed to songs of this period, SD Burman is the music director whose name most easily pops up. Shubha Joshi becomes very light in voice until a muted trumpet overrides her towards the end and becomes a bridge. High hat and bass drum combine with strings give a slow big band feel. Slowly the song seems to break out into a jazz club vibe with added synth sounds to modernise the sound even further. Starting out like a qawwali, Shubha Joshi’s nasal tones are backed by harmonium and tabla singing “Ab kya bataun, ki tere milne se kya mila”. Nevertheless, this could be straight out of 50s or 60s Bollywood starring Dilip Kumar watching on while a ‘kaneez’ falls for him.įollowing on in the same sound but for a completely different feeling is Ab Kya Bataun. To keep it modern Sneha has created a short song: as much as to keep the story flowing, as to hide the lack of lyrics. In films of those days these songs could go on for nearly 10 mins depending on the importance of the moment. Nothing more than harmonium and tabla to back her lightly nasal voice, the song seems to be set for a courtesan environment. Rekha Bharadwaj is a perfect opening example in the first song, Ban Titli (Gratis). So, it should be no surprise that the songs sound a bit off-tone sounding but also that they are nasally voiced.
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In this film its important to realise that the music is pre-Lata Mangeshkar when the giants were Shamshad Begum and Noor Jehan, where Mohammad Rafi was but a young upstart taking over from the recently retired KL Sehgal. Already well known for the Gangs of Wasseypur franchise and Detective Bymokesh Bakshy! amongst others, her gritty and real-life music is often perfect for the period, without needing to take the audience back to it.
Shamshad begum vs noor jehan movie#
The music direction of the movie has been given to Sneha Khanwalkar. This film has already been acclaimed at Cannes and was recently released to Indian audiences on the 21st of September. Manto, written,directed and produced by Nandita Das, tells his story through the eyes of those around him. One of these is the story of the biopic of the Urdu Bollywood scriptwriter Saadat Hasan Manto, played by Nawazuddin Siddiqui. Lots of now famous and some infamous things happened during this time. Before Chandrabhan could plan anything else, he finds out that Prakash is getting engaged to Lata Prakash’s mother hates him and he decides to return home along with his ailing mom.Bombay in 1946 was an epicentre for the cry for freedom from the British Raj. He does get to meet Renuka Devi, and is pleasantly surprised when he finds out that she is none other than Lata herself. He does get to meet her, only to find out that the woman in reality is her friend, Basanti, who was impersonating her, as she had fallen in love with him, though he has no similar feelings for her. Chandrabhan, a frequent reader of poetry, is fascinated by the poems of Renuka Devi, and longs to meet her. Years later, Chandrabhan has grown up, and has found employment in a guitar and musical instrument repair shop run by the owner and his friend, Prakash. Chandrabhan is heartbroken when Lata leaves town, and he has only a time-piece left with him as a token of their friendship.
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School-going Chandrabhan lives a poor lifestyle with his widowed mom in a small town in India, and has a childhood sweetheart named Lata, who is the daughter of the wealthy Deputy. Aawaz De Kaha Hai Hindi Song Lyrics TranslationĪawaz de Kaha Hai ……. Kismat pe chha rahi hai, kyo rat kee siyahiĪawaz de kaha hai……. Taro kaa karvan hai, aise me too kaha hai Aawaz De Kaha Hai (By: Noor Jehan, Surendra Nath)įrom the movie – Anmol Ghadi Aawaz De Kaha Hai Song Lyrics in EnglishĪawaz de kaha hai, dooniya meri jawan haiĪa rat ja rahi hai, yu jaise chandani kee